Passion for design and a solid understanding of lighting technology is what characterizes my work, I offer a unique and professional perspective to each project.
I deeply value the opportunity to illuminate spaces with innovative ideas and am committed to providing exceptional service and exceeding your expectations with outstanding results.
I have studies in Psychology, Art and Lighting, and a family tradition that spans 70 years. My challenge is to analyze the space and its functionality in each case, to achieve a warm design that is pleasing to the eye and in accordance with each need. This achievement translates into well-being for my clients.
My Designs
YOU CAN'T SEE ME
A lamp that plays with perception and transparency. A smoke-finished glass disc, suspended in a black glass sphere by a coaxial filament, creates a sensation of weightlessness and mystery.


ON REQUEST
This lamp responds to the design and decoration of the place and the contrasts of light and shadow.
With a diameter of 150 metres, it was a real challenge to balance the forces and weights involved in the centrepiece of NEMO, a restaurant by Harry Sasson that is part of the Four Seasons hotel.
CAGE
This lamp was designed for the restaurant of the Casa Medina hotel, Castañoles, it was commissioned by the architect in charge of the renovation in 2014, it won an award as one of the 100 designs in AXXIS magazine and was also featured in the Irreversible Isocronia collection.


2014
DESIGNS OF THE YEAR, lighting and furniture




2014

Inauguration of Design Collection


2015
Design diffusion News
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My purpose
Light not only reveals, it suggests. It defines volumes, sets rhythms, and transforms the perception of space. It's not just about illuminating, but about designing atmospheres where architecture breathes and every detail takes on meaning.
I observe how natural light inhabits the space, choose the highlights, and design a lighting system that flows with the architecture. I prefer indirect lighting that envelops without intruding, shadows that add depth, and color temperatures that complement the natural rhythm of the day or the use of the space.
The result is lighting that does not compete with, but rather interacts with, the space, subtle but essential.
